![]() What is the key takeaway you want your audience members to come away with after watching your play? What do you want them to feel? What message do you want to convey or point are you trying to make? 2. This is fundamentally what your play is going to be about. Try Celtx’s stage play editor today (FREE) 1. When you have orientated yourself in a time and place, you can start to think about the broader strokes. What time period does it take place? What locations are involved? What time of year? If you’re starting from scratch, it’s helpful to first think about where you want to set your play. You may already have an idea for a play or you might be starting with the blank page. Now, it’s time to get started on your very own stage play script! You understand the language and the format you need to write in. So, you’ve started to read stage plays and you’ve been to the theatre. There are options out there for every budget and interest. Some of the bigger shows even offer reduced rates on quiet nights, so do your homework and research your options, and you might be surprised at what a great deal you can find. Student showcases, for example, are often free to attend and can be a great way to get to know up-and-coming talent. What was the last play you went to see? Was it fringe theatre or a Broadway show?ĭepending on what sort of story you want to tell, you might find watching a few plays in your chosen genre could really inspire you and help your creative juices flow.Īs a struggling writer this might sound like an expensive exercise but there are plenty of ways to do it on a budget. Go to the TheatreĪnother crucial step before you even begin writing is to go and experience some productions first-hand. ![]() ![]() There are lots of helpful templates and examples online that show you the best way to format your play, but nothing will help you develop an appreciation and understanding of the basics faster than diving into the source material itself. The format can differ somewhat depending on the country you’re in, but all of the ingredients remain the same. Read Scriptsīefore you even put a finger to the keyboard, you should spend some time reading stage plays. Many people want to write stage plays, but wanting to writing a play and knowing how to write a play a two different things.īelow are a few easy steps that will help ready your mind for the task at hand. Writing a stage play is not going to be a walk in the park, so in order to approach it in the best way possible you need to prepare. Sign up for Celtx script editor today and elevate your play writing process to new heights! Preparing to Write a Stage Play Plus, with its cloud-based platform, you can access your scripts from anywhere, making it the perfect tool for writers on the go. With its powerful and intuitive interface, you can easily format and organize your scripts, collaborate with other writers, and even visualize your scenes with shot lists and storyboards (free storyboard template here). Of course, now there are some extra technical advances that allow us to mystify the audience with special effects, light a scene for a specific mood and use sound effects to create that which isn’t really there.īut before we get there, you must learn how to start at the creative, all-encompassing origin point: writing stage plays.Ĭeltx script editor is the ultimate tool for playwrights looking to take their writing to the next level. These three elements are the essence of theatre. Why is this relevant to you and your stage plays, you might ask? Because fundamentally theatre hasn’t changed – you still have actors, an audience, and a performance space. In fact, according to tradition it was in 534 BC that Thespis performed his poetry in character, effectively becoming the world’s first actor.įun Fact: this is where the word Thespian originates from. The theatre has been the home of artistic creation and expression since as far back as 6th Century BC, during the time of the Ancient Greeks. Nothing really comes close to the experience of sitting in front of a proscenium arch (or “in the round,” if you’re in a more contemporary theatre). Ahhh, the smell of the greasepaint, the buzz of the crowd, and the bright lights of the theatre.
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